Chalkon - Hormizd I (256-264) front Chalkon - Hormizd I (256-264) back
Chalkon - Hormizd I (256-264) photo

Chalkon - Hormizd I

 
Billon 2.20 g 15 mm
Description
Issuer
Indo-Sasanian Kingdom (Sasanian Empire (224-651))
Shah
Hormizd I (265-295)
Type
Standard circulation coin
Years
256-264
Value
Chalkon (1⁄576)
Currency
Drachm (230 AD-360 AD)
Composition
Billon
Weight
2.20 g
Diameter
15 mm
Shape
Round (irregular)
Technique
Hammered
Orientation
Variable alignment ↺
Demonetized
Yes
Updated
2024-10-10
References
Numista
N#82325
Rarity index
100%

Reverse

Same king standing in adoration before Buddha on throne.
King in Sasanian loose garment, with sword at left and dagger at right; right hand pointing towards small fire-altar in shape of hour-glass; left hand raised in adoration.
God on throne, head and body in profile, knees parted, upper part of body shemms naked; long sceptre in left, rigth hand on arm-rest of throne.
Throne seen partly in profile; according to Hellenistic prospective.

Comment

Characteristics of Billon Chalkons:

•⁠ ⁠Material: Billon (copper-silver alloy, with a silver content of 10-20%)
•⁠ ⁠Weight: Around 2-4 grams
•⁠ ⁠Diameter: Around 15-20 mm
•⁠ ⁠Design: Similar to copper Chalkons, with the king's bust on the obverse and deities or symbols on the reverse
•⁠ ⁠Inscriptions: Inclusion of inscriptions in Bactrian or Pahlavi script.

 

Some examples of Billon Chalkons from the Kushano-Sassanian Empire can be found in numismatic collections and museums, such as:

 

•⁠ ⁠The British Museum
•⁠ ⁠The National Museum of Afghanistan
•⁠ ⁠The National Museum of Pakistan

Interesting fact

One interesting fact about this coin is that it features an image of King Hormizd I on one side and a fire altar on the other, which was a common motif in Sasanian coinage. The fire altar symbolized the Zoroastrian religion, which was the dominant religion of the Sasanian Empire. This coin was minted during a time of great cultural and religious exchange between the Indo-Sasanian Kingdom and the Sasanian Empire, and it reflects the blending of Persian and Indian influences in the art and religion of the region.